THE ARTWORK:

The enclosed Varied Edition is a fragment of a larger work created after a conversation with Tyler M. Chris B. Dakota K. & Mike P. representing both a visual and social experience of its own process/creation.

THE ARTWORK:⁠⠀

The enclosed Varied Edition is a fragment of a larger Artwork depicting a visualization of a hike through the woods of B.C. with Katrina K. representing both the journey and the challenges of the beaten path.⁠

THE ARTWORK:⁠⠀⁠⠀

The enclosed Artwork is a fragment of a study of a rock taken from Tunnel Bluffs view point at Lyons Bay representing each facet of the stone in its “Alba” (Sunrise) iteration and in its "Tramonto" (Sundown) iteration.⁠⠀

more info on the project coming soon

Freedom of expression often appears to be confined and restricted within the art world and somehow more so within the gallery space. This body of work pushes the boundaries of freedom and expression within its surroundings. Reiteration One shifts the rational to the irrational allowing for interaction towards disruption of the common inside the white cube. A memory can be stronger than an action, re evoking multiple senses in anyone who dares to disturb the balance of the assemblage. By aiming at bringing a joyful memory back to life it leaves room for interpretation by means of pattern and repetition. The installation plays upon the balance of space and time and what we are allowed and not allowed to do in order to define who we become.

From the start of a journey, our path is defined by whom we interact with. This work provokes and disputes the domains of high and low art by shifting the common grounds of experiential and material associations. Through the embodiment of space between the red assemblage La vita può diventare tutto ciò che vuoi, (To the Moon) and the blue assemblage basta solo volerlo. (And Beyond) plus the use of playful trampoline icons, this work aims at evoking and representing adult, child and individual personal experience rather than a preconceived gallery insight.

With a strong community entity the work generates its own scenario to be experience in a place where the norm would be to over-analyze surroundings.This assemblage calls upon memorabilia and the beginning or Reiterations where each individual sees what they aim to see within their mind and experience.

Hold On is a temporary installation that aims to deploy joyful disruption in transitory spaces in an effort to emphasize our spatial, social, and affective experience in site. Through audio, colour, light, Hold On uses playfulness and levity as the means to counteract set connotations of a given space. Further, the work situates itself at the intersection of past and future mapped onto everyday life - negotiating the transitional moment of time in which we suddenly 'are here' and no longer 'there'.

The work builds upon an ongoing exploration of micro-utopias, self-awareness, and affective embodiment, in everyday vernacular experiences.

Throughout the creative process and daily life of an artist, human connections seem lost. This body of work challenges ways of daily encounters as it focuses on bringing social life into reality rather than from behind screens. The poetic representation of the ephemeral experience with others becomes embossed and remains as a mark of time. The work is created through the deconstruction of the whole experience and then represented through the synesthetic action of colour, patterned shapes and play and then redefined by the enclosed framing of each singular experience which float in and out of time.

Analyzing human perception and reconsidering the notion of personal interpretation, First Kiss takes on the conception of time and space. There seem to be a tendency that viewers in a public space become influenced by communal opinion. Therefore, the challenge of this body of work is to seek the viewer’s point of view and perception because the playfulness of the piece lies within its deconstruction. Close up, the individual forms are unique and juxtaposed between handmade and manipulated reproductions of the mirrored forms, which from far away give the illusion of pure black.

Observed from afar and from one’s own space, the bigger picture emerges and the viewer may choose their own reading and interpretation without being affected by the artist’s work or by surrounding viewers.

The Ouroboros project came to life in reflection of the “selfie” characteristics of the 21st century social media society. In this mix media work the abstract use of half tone colour separation and print media techniques emphasizes the naivety of a selfie in this large scale project. Ouroboros illustrates a silkscreen portrait developing a neverending circle where the viewer reads the images from afar and up close, leading to an unconscious self contemplation in relation to our society.

This collection of work reflects upon the development of the artist and the process from beginning to end. Creating a conversation between painting and printmaking the use of repetition, form, and gesture, allows for a fluidity across the several groups of work despite their different mediums. With the ability of being shown as individual groups of four, shown collectively one can notice the familiarities surrounding them.

The initial paintings, the prints, the transparencies, the screens and the squeegees bring the viewer into a scene of curiosity and playfulness among the process of the artist.